Something about the story and the characters granted me a sense of freedom to

Something about the story and the characters granted me a sense of freedom to write an American opera, an opera that is rooted in our peculiarly skewed political image of ourselves, an opera that aims to be both theatrically entertaining and psychologically acute. Adams The way culture worksis never pure everything is pollination all the time. that is the energy of our period, which is by definition multicultural and multileveledNixon in Chinahad no overt Chinese references in it musically, but sets up a world which you regard as ChineseInstead of using a kind of musical orientalism, its quite the opposite: what is thesharedworld here? one of the most important things about Johns music is that its not a colonialist viewpoint tapping into someone elses music. It presents the texture of the world we are actually sharing, in which this interpenetration of influence and aspiration from all sides is creating something that is itself a new culture Sellers I think that one has to understand both cultures When I was composing I didnt really think about what was Chinese or what was western, he says. For me the idea of fusion has to come from the bottom up not from the surface. Sheng Reading the above, do you agree that culture is never really pure? Is opera, as an example of art, something that by its nature is always something new and not a recreation or reinterpretation or falsification? Is it fair to judge opera as failing to accurately recreate or portray any culture?

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